. To open the Preferences dialog box, choose Edit Preferences (Windows) or Premiere Pro Preferences (Mac OS), and select the category of preferences you want to change.
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To restore default preference settings, hold down Alt (Windows) or Option (Mac OS) while the application is starting. You can release the Alt key or Option key when the splash screen appears. To restore default preference settings and plug-in cache at the same time, hold down Shift-Alt (Windows) or Shift-Option (Mac OS) while the application is starting. Release the Shift-Alt keys or Shift-Option key when the splash screen appears. When this option is turned on, Premiere Pro reads the ICC profile selected in your operating system and does a conversion to display colors perfectly on the monitor. This feature applies to the Premiere Pro Program and Source monitors, thumbnail previews in the Project panel, Media browser in Premiere Pro and Media Encoder, and export and encoding previews in Premiere Pro and Media Encoder.By default, color management is disabled in Premiere Pro and Media Encoder.Leave Color Management off if your screen matches the media on the timeline. This works well for Rec.
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Learn how to activate Capture One Express to use it for as long as you wish. Also, see how to switch to Capture One Pro to run the 30 day trial or activate a Pro licence. Activating Capture One - This step-by-step tutorial will show you how to activate your license of Capture One. It also includes how you can deactivate your license in order to move it to another computer or switch to another run mode, for example Capture One DB or Capture One Sony.
709 and sRGB and YouTube delivery.Turning Color Management on is useful for scenarios where you want your display to reproduce the color appearance of the timeline on a reference monitor. Note:Premiere Pro does not color manage external transmit monitors hooked up through video cards from companies like AJA or Blackmagic. Configure that hardware outside Premiere Pro.Premiere Pro, however, does color manage a secondary computer monitor used as a transmit monitor.
It is part of the desktop of the operating system - hooked up through HDMI, Display Port, DVI, or Thunderbolt.Enabling Display Color Management does not change the colors in your exported files. It only manages the colors that you see displayed on your monitor. It is necessary so that you can accurately judge what the colors look like on a true Rec709 display (HDTV for example). In the past, it was necessary to manually set your OS display profile to Rec709 to view accurate colors, and sometimes it was not possible. Display color management takes the guesswork and displays correct colors no matter what ICC profile your display is set to in the OS.
Creates keyframes only at points that don’t have a linear relationship to the start and end keyframes. For example, if you are automating a fade from 0 dB to –12 dB. With this option selected, Premiere Pro creates keyframes only at the points that represent an increase in value from the beginning (0 dB) and ending (–12 dB) keyframes. If you don’t select this option, Premiere Pro creates several incremental keyframes of identical values between those two points, depending on the speed at which you change the value. This option is selected by default. In the Audio Hardware pane of the Preferences dialog box ( Edit Preferences Audio Hardware), you can specify the computer audio device and settings. You can also specify the ASIO and MME settings (Windows only), or CoreAudio setting (Mac OS only) that Premiere Pro uses for audio playback and recording.
When you connect an audio hardware device, the hardware settings for that device type, such as default input, default output, master clock, latency, and sample rate are loaded in this dialog box. For example, the following screen shows the settings for a connected MME device (Windows) in which you can modify the default selections in properties. When you configure inputs and outputs for recording and playback, Adobe Premiere Pro can use these kinds of sound card drivers:In Windows, ASIO drivers support professional cards and MME drivers typically support standard cards.In Mac OS, CoreAudio drivers support both professional and standard cards.ASIO and CoreAudio drivers are preferable because they provide better performance and lower latency.
You can also monitor audio as you record it and instantly hear volume, pan, and effects changes during playback. Choose Edit Preferences Audio Hardware (Windows) or Preferences Audio Hardware (Mac OS).
From the Device Class menu, choose the driver for the sound card you want to use. Choose a Default Input and Output from the card. See in Adobe Audition Help. (MME and CoreAudio) For Master Clock, choose the input or output to which you want other digital audio hardware to synchronize (ensuring accurate alignment of samples). For I/O Buffer Size (ASIO and CoreAudio) or Latency (MME), specify the lowest setting possible without audio dropouts.
The ideal setting depends on the speed of your system, so some experimentation is necessary. Choose a Sample Rate for the audio hardware. (For common rates for different output mediums, see in Adobe Audition Help.).
(Optional) To optimize the performance of ASIO and CoreAudio cards, click Settings. For more information, consult the documentation for the sound card. Under Output Mapping, you can specify the target speaker in your computer sound system for each supported audio channel. When this setting is enabled, Auto Save creates an archived copy of your current projects, but also saves the current working project. This setting is off by default.Auto saved versions have a suffix with the date and time it was saved (yy-mm-dd-hh-mm-ss) appended to the project name (for example, ProjectName-2018-08-3109-53-41.prproj).When an auto save occurs, Premiere Pro creates a new backup project file and adds it to the auto-save folder as an emergency project backup. This file is always the latest saved version of that project. Here are some of the characteristics of the emergency back project file:.
The backup file has the same name as the project, it does not have any suffix. Premiere Pro produces only one emergency backup file per project, and it is overwritten at each Auto Save interval and when you save the current project. In the Control Surface panel of the Preferences dialog, you can configure your hardware control device.The Edit, Add, and Remove buttons let you add, edit, or remove control surfaces in your configuration.Under Device Class, click Add to select the device. You can add either EUCON or Mackie. Or you can add both.To specify configure settings like MIDI Input Device and MIDI Output Device for the selected control surface, click Edit.For more information on using control surface controls with Premiere Pro, see. In the Delete Media Cache Files dialog box that opens, you can choose to:.
Delete unused media cache files - Deleting unused media cache files removes files that were created for source media that can no longer be found. Delete all media cache files from the system - Deleting all media cache files deletes all cache files from the current location. Deleted cache files are recreated automatically whenever source media requires them.
To remove all media cache files, restart Premiere Pro and select this option before opening any project. You can set your preferences for the media cache using the following options:. Do not delete cache files automatically - This setting is enabled by default in the Media Cache Preferences. Automatic deletion of media cache files applies only to.pek,.cfa and.ims files within the subdirectory folders Peak Files and Media Cache Files. Automatically delete cache files older than - The default value is 90 days.
You can change it to a time period of your preference. Automatically delete oldest cache files when cache exceeds - The default is 10% of the volume size where the media cache is located. In the Memory pane of the Preferences dialogbox, you can specify the amount of RAM reserved for other applications,and for Premiere Pro.
For example, as you reduce the amount of RAMreserved for other applications, the amount of RAM left availablefor Premiere Pro increases.Some sequences, such as thosecontaining high-resolution source video or still images, requirelarge amounts of memory for the simultaneous rendering of multipleframes. These assets can force Premiere Pro to cancel renderingand to give a Low Memory Warning alert. In these cases, you canmaximize the available memory by changing the Optimize RenderingFor preference from Performance to Memory. Change this preferenceback to Performance when rendering no longer requires memory optimization. In the Playback pane of the Preferences dialog box, you can select the default player for audio or video, and set preroll and postroll preferences. You can also access device settings for third-party capture cards.Premiere Pro uses the player to play media from clips and sequences for the following:. Source Monitor.
Program Monitor. The preview area at the top of the Project panel. Trim mode.
Trim Monitor. Multi-Camera Monitor. The video transition preview in the Effect Controls panel.You can choose the default player for your computer, or a third-party plug-in player for Premiere Pro. Third-party players are installed with some capture cards. Preroll: The number of seconds before an edit point when playing back footage for several editing functions.Postroll: The number of seconds after an edit point when playing back footage for several editing functions.Step forward/Back Many: Specifies the number of frames to move when you use the keyboard shortcut Shift+Left or Right arrow. The default is set to ten frames.Pause Media Encoder queue during playback: Pauses the encoding queue in Adobe Media Encoder when you are playing back a sequence or a project in Premiere Pro.Audio Device: Choose an audio device in the Audio Device menu.Video Device: Set up DV and third-party devices for output by clicking the Settings button.
If a third-party capture card is installed, click the Settings button to access the Mercury Transmit dialog box for video formats, and pixel formats.A check box is available for disabling video output when in the background. Defines the type of track in which the clip audio channels are presented when a clip is added to a sequence—Mono, Stereo, 5.1, or Multichannel Mono. Premiere Pro imports and renders each of these track types in the source format (if you select the Use File option) or converted to another track format (if you select one of the track types other than Use File). The following list describes the compatibility between tracks and clip types:.
Mono tracks can hold mono and stereo clips. Stereo tracks can hold mono and stereo clips. 5.1 tracks can hold only 5.1 clips.
Adaptive tracks can hold mono, stereo, and adaptive (multichannel) clips (but not 5.1).The following definitions describe how each track type is interpreted in Premiere Pro and presented when dropped into a sequence. Lets you specify how mono files must be interpreted inside Premiere Pro. The mapping works as follows:. Use File imports the file in the same format, mono.
Mono imports the file as mono, as what happens when you select Use File as the source file and your preference being mono. Stereo imports the mono media file as stereo. The mono channel in the file is assigned to one channel in stereo and the other channel is left as silent for the media to be interpreted as stereo. 5.1 imports the mono file as a 5.1 surround clip. The mono channel in the file is mapped to one channel in 5.1 format along with five silent channels to interpret the file as 5.1 surround media. Adaptive imports the file as an N (Max N is 32) channel clip with the mono channel as the first channel.
Lets you specify how files that are inherently stereo must be interpreted in Premiere Pro. Here are the possibilities:.
Use File imports the file as in the source format, in this case, stereo. Mono imports the file as mono. The L-R channels in the stereo are interpreted as two mono channels. Stereo imports the file as stereo with the channel mapping exactly as the source format. 5.1 imports the file as 5.1 surround clip.
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The stereo channels in the file along with the four silent channels are interpreted as 5.1 surround media. Adaptive imports the file as an N (Max N is 32) channel clip with the stereo channels as the first 2 channels. Lets you specify how Premiere Pro must treat 5.1 media files.
The options are:. Use File imports the file in the source format, in this case, as 5.1 channel surround media. Mono imports file as mono, which results in six mono channels. Stereo imports file as stereo, mapping the six channels to three stereo pairs. 5.1 imports the file as 5.1 media, with the mapping kept exactly as in the source file. In this case, it works the same as the Use File option. Adaptive imports the file as an N (Max N is 32) channel clip with the first six channels and the rest of them as silent.
Lets you specify how files that have N discrete channels are interpreted inside PPro. One way to troubleshoot issues in Premiere Pro is to reset preferences. Trashing preferences resets the program to its factory defaults. Resetting preferences will undo most of your customizations such as:. length of your default transitions. brightness of the user interface.
label colors. audio hardware settings. workspace changes (such as resizing and moving panels)Preferences that you set for scratch disks, however, are saved with your projects. Whenever you open a project, it automatically defaults to the scratch disks you selected for it when you set up that project.
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